Science is deeply imaginative: why is this treated as a secret?
My book,he Poetry and Music of Science (2019), starts with my experiences of visiting schools and working with sixth-form pupils in general-studies classes. These students, aged 17-18, would tell me that they just didn’t see in science any room for their own imagination or creativity. Not just on one occasion but repeatedly I heard this from young people bright enough to have succeeded at any subject to which they set their minds.
Yet it doesn’t take an Albert Einstein to observe that, without the essential first step, without a creative reimagining of nature, a conceiving of hypotheses for what might be going on behind the perceived surface of phenomena, there can be no science at all. Einstein did of course have something to say on the matter. As he told an interviewer in 1929:
I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.
Every scientist knows this, but for two centuries they have fallen mute about it, preferring instead a safer narrative about the ‘empirical method’ or ‘the logic of scientific discovery’. Science education favours the presentation of results, and a focus on knowledge, rather than the human stories of wonder, imagination, failed ideas and those glorious and uninvited moments of illumination that thread through the lives of all who actually do science. Our media mouths the same message – I will never forget the BBC documentary on computer science in which the presenter assured viewers, face to camera, that there is no room for imagination in science. No wonder my young colleagues had become disillusioned.
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